DZCO

March 2024 - August 2025
Music

DZCO is a music discovery platform that replaces linear menus with a spatial, mood-driven interface. Instead of scrolling lists, users explore clusters of songs organized around genre, vibe, and context: encouraging curiosity, wandering, and serendipitous listening among users.

Under the guidance of Stephen Zoepf, former professor at Stanford and MIT Alum, I worked as a UX Designer on contract, collaborating closely with my fellow designers and engineering to research user behavior, explore new interaction models, and define early system specifications solving for new user drop off.

Role
Product Designer
Tools
Figma
Chat GPT
Zoom
Duration
1.5 years
Team
Tanishka Sharma
Stephen Zeof
Ryan McGee
Bianca Cheng

The Challenge

Convincing users to adopt a new music discovery paradigm.

DZCO set out to rethink music discovery through a spatial, map-based experience, but faced a critical adoption challenge. Most users were already deeply embedded in platforms like Spotify and Apple Music, making them hesitant to invest time in learning a novel interface.

The core problem was identifying where friction occurred during onboarding and exploration, and how to reduce uncertainty without diluting DZCO’s differentiated value. The team needed clear insights that could translate into actionable design guidance and technically feasible product direction.

The Solution

Research-driven simplification of a novel experience.

I conducted exploratory user research and guided usability testing to uncover where users struggled when transitioning from familiar music platforms to DZCO’s map-based model. These insights informed clearer onboarding flows, improved discoverability, and a stronger visual language for social presence within the map.

Working closely with the team, I translated my findings into journey maps, UI specifications, and patent-ready visualizations, helping align product vision with technical feasibility while reducing early adoption friction.

Research

User interviews and usability testing.

To evaluate DZCO’s adoption potential, I conducted interviews that combined idea validation with live usability testing of the MVP.

  • Participants discussed their current music discovery habits, frustrations with existing platforms, and openness to switching.
  • Early questions were shaped collaboratively with the founder to assess interest in a spatial, map-based discovery model.
  • During live testing, participants explored the product while thinking aloud, revealing moments of confusion, curiosity, and delight.
  • These sessions highlighted where novelty drove engagement and where additional guidance was needed to reduce user friction.
Music discovery alone isn’t enough to keep me here. Since I already use Spotify, I’d  want something more like a social or interactive aspect that gives me a reason to stay longer.

Gargi Kulkarni, 23
There’s a lot happening on the screen at once. The song labels in the background are hard to read, and it makes it difficult to know where to focus. I’d feel more comfortable if the interface were visually simpler.

Aliya Ali, 29
This was overwhelming but has potential... Spotify has already done a good job of song discovery. It would take a lot to get me to switch.

Brandon Albertson, 30

Age

30

Occupation

Music Journalist

Location

Dallas

Summary

A deeply curious music professional who explores music through genres, subgenres, and cultural movements. He values depth, organization, and discovery tools that help him uncover and contextualize new sounds.

Needs

  • Genre maps that allow exploration beyond linear playlists
  • Reliable information about artists, genres, and context
  • Tools to organize, customize, and save discoveries

I’m always looking for the connective tissue between genres; where sounds come from and where they lead.

Frustrations

  • Tools that surface shallow or repetitive recommendations
  • Obscure genre relationships and musical lineage
  • Difficulty organizing discoveries in a way that supports research or writing
  • Casual listening over intentional exploration

Context

Ambivert

Analytical

Focused

Tech fluent

Tech fluent

Behaviors

  • Actively researches new genres and subgenres
  • Attends music festivals and industry conferences
  • Collects and catalogs music for reference and writing
  • Shares curated discoveries with peers and readers

Age

57

Occupation

History Teacher

Location

Boston

Summary

An experienced, reflective traveler who values cultural and historical context. He travels to reconnect with places, music, and memories, and prefers discovery experiences that feel meaningful rather than algorithmic or trend-driven.

Needs

  • Contextual information that connects music to history, place, and time
  • Explore music geographically rather than through playlists
  • The ability to save and revisit meaningful music journeys
  • Clear, intentional interactions without excessive complexity

Music makes places come alive again. I want to understand where it came from, not just what’s popular.

Frustrations

  • Platforms prioritizing trends over depth and context
  • Playlists that feel disposable and disconnected from place or story
  • Clutter or optimization for speed rather than reflection

Context

Introverted

Organized

Analytical

Creative

Behaviors

  • Listens to music while traveling, walking, or reflecting
  • Revisits familiar songs tied to specific places or periods
  • Explores music through albums, eras, and cultural movements
  • Shares discoveries selectively with close friends or students

Age

28

Occupation

Freelance Grapic Designer

Location

NYC

Summary

A tech-savvy, urban listener who enjoys discovering new music but feels constrained by traditional playlist-based discovery. She’s curious about new experiences but skeptical of switching unless the value is immediately clear.

Needs

  • A novel, immersive way to discover music beyond playlists
  • Clear onboarding that explains how DZCO is different from Spotify or Apple Music
  • Seamless exploration without feeling lost or overwhelmed
  • Confidence that the experience will improve, not interrupt, how she listens to music

I’m always looking for new music, but most apps end up recommending the same things. If I switch, it has to feel genuinely different.

Frustrations

  • Music discovery feels repetitive and algorithmically stale
  • Existing platforms prioritize convenience over exploration
  • New apps often feel gimmicky or hard to learn
  • Unclear value propositions make switching platforms feel risky

Context

Extrovert

Organized

Creative

Tech fluent

Loyal

Behaviors

  • Uses Spotify or Apple Music daily, but actively seeks new artists
  • Discovers music through friends, social media, and live events
  • Tries new music apps but abandons them quickly if onboarding is unclear
  • Enjoys exploring interfaces visually, not just tapping “play”

Style Guide Updates

Reducing cognitive load through clearer visual hierarchy.

To address early usability friction, we revised DZCO’s style guide with a clear focus on visual hierarchy and cognitive load reduction. Research showed that users struggled to identify what was interactive, what was secondary, and where to focus first.

Introducing stricter type and color rules made priority states immediately legible. Active elements were elevated through increased size and weight, while secondary content was intentionally de-emphasized. The color palette was simplified to reduce visual competition and avoid unintended brand associations, ensuring that emphasis was driven by interaction state rather than decoration. These changes preserved DZCO’s spatial, exploratory feel while making the interface easier to scan, interpret, and recover within during first-time use.

Design Specs

Defining interaction behavior for implementation.

Before moving into execution, key interactions were documented to ensure consistency and technical clarity. Communicating component states, positioning logic, and dynamic behavior to ensure design intent carried through to build.

Design Execution

Translating research insights into navigable, confidence-building interfaces.

Guided by research insights around disorientation, cognitive load and limited social connection, we explored design solutions that improved clarity, navigation, and shared discovery, while preserving DZCO’s spatial feel.
Hover over solutions to see designs.

Improved Design System

We refined the style guide to reduce visual noise and strengthen hierarchy, creating a clearer and more vibrant foundation for spatial exploration.

Social Interaction

We explored a live, map-based social layer that lets users follow friends and see their movement through music in real time, turning discovery into a shared experience.

Better Forward and Backward Navigation

We introduced gesture-based navigation on the central play control, allowing users to move between songs while preserving the map’s default autoplay behavior.

Working Image
Working Image
Working Image
Working Image
Crafting a unique, scalable logo that embodies the brand’s personality and resonates with the target audience.

Reflection

Translating research insights into navigable, confidence-building interfaces.

This project reinforced how fragile first-time experiences are when a product intentionally breaks familiar patterns. While DZCO’s map-based discovery model generated excitement, research showed that novelty alone wasn’t enough. Users needed clearer orientation, stronger cues, and reassurance that exploration wouldn’t lead to confusion.

Designing for DZCO pushed me to balance experimentation with restraint. Preserving the product’s exploratory feel meant introducing just enough hierarchy and affordance to guide users without over-instructing them. Small adjustments to visual hierarchy and interaction cues significantly improved confidence and usability.

Overall, this work clarified how UX extends beyond screens. Contributing across research, interaction design, and system-level decisions taught me how to ground ambitious ideas in practical, user-centered design.

Test DZCO